LP – Limited Dinked Edition #305

140g clear & blue yolk vinyl *
Alternate artwork outer sleeve *
Alternate artwork inner sleeve *
32 page A5 photo booklet *
Signed & hand-numbered edition *
Lyric sheet
LImited pressing of 500 *

*EXCLUSIVE to Dinked Edition

The expression of hard-fought optimism encapsulatesThe Good Kind,an album exploring themes of sexuality, relationships, community, and illness. Our Girls trademark dynamics permeate the record, from heavy guitars and soaring lead lines to ear worm choruses and intimate vocal moments. Filled with warmth and honesty,The Good Kind is a celebration of determination of choosing to recommit to what matters, against all opposition. A lot of the songs are about taking setbacks and turning them into superpowers says drummer Lauren Wilson.

I only realised then, when I thought it out loud,begins singer/guitarist Soph Nathan on Relief, the first single released from the album,And I feel better now. This song is aptly named, invoking along-awaited exhale the feeling of finally emerging from a long and lonely period of uncertainty and self-doubt. Beginning with a single airy strum, Nathans reverb-drenched guitar attaches itself to Joshua Tylers grounding bass chords, as Wilsons quietly insistent drum beat throws its weight behind Nathans words of reassurance: Youve gotta see it to believe it/ Well, I see it in you already.

This song speaks honestly to the life-giving importance of queer community. From the warmth and immediacy of her delivery, Nathan could be comforting a friend. But as Relief builds from that cautious opening to a determinedly, driving force, it becomes clear: these arent empty platitudes. Nathan believes in you, because shes learned to believe in herself.

This sentiment is at the heartofThe Good Kind, recorded atRockfield Studiosand produced by alt-rock legendJohn Parish(PJ Harvey, Sparklehorse),Fern Ford(The Big Moon, Prima Queen) and Soph Nathanherself. For Our Girl, it mirrors the long and winding road to their sophomore release, and the lasting rewards of trusting in the process.

All three members recall moments of magic in the studio with Parish and engineer Joe Jones, who embraced the bands spirit of experimentation and helped them to channel their electrifying live character onto tape. But despite these propelling creative moments, Our Girl struggled tofully realise the album exactly the way they wanted. The way we work best is so based on feeling, and an instinct when were together, says Wilson. We see ourselves as a live band: thats how we began, and where we feel fully realised, says Nathan. Having not had an opportunity to play the songs live yet, the trio poured hours into making demos and rehearsing the songs, eventually arriving at Rockfield Studios almost over-prepared, says Josh.However, having recorded it under time pressure, all three members concluded the two-week session feeling as though some essential component had escaped them.

After hearing the recordings back, It was the first time that weve all been on such different pages, Nathan says, admitting that she even entertained painful thoughts of abandoning the project. Instead, Our Girl dug deep to reconnect with what had kept them together. It was a conscious decision to recommit to making the music they knew themselves to be capable of. We all had to rediscover our connection to the album, and to each other, Wilson says.

Newly determined, the band spent six weeks with Fern Ford of The Big Moon at her home studio, pulling apart the Rockfield takes and recordingmore. Nathan recalls her bodily feeling of relief as they reopened and recommitted to the project I couldnt quite believe it says Nathan I felt a freedom I hadnt experienced before. Fern really made that space for us and it was a real relief to be able to take the reins together. With Fords help, Nathan took to the production, striving after the warm, comforting sound shed envisaged. It was new territory for Nathan but the attempt felt true to Our Girls shared ambition and commitment to breaking new ground.

This collaborative process speaks to a wider theme – when choosing to carve out their own creative path, the band leant more on each other, and on friends and other musicians: Warpaints Stella Mozgawa helped bring the title track The Good Kind to life in its early stages, whilst Nathans partner and friends including Marika Hackman and Art School Girlfriend joined the rallying cry at the end of Relief. Theres evidently real joy to be found in taking ownership of your own creative vision, and also trusting friends to share that vision with you.

Using songwriting as a processing tool, many of the songs reflect Nathans own experiences, expressed with her trademark precision and lyricism. Absences is about the frightening absence seizures she suffered through childhood, culminating in an epileptic fit at age 17. Such private, often lonely struggles with chronic health issues are a theme ofThe Good Kind, as well as the moments of solace within them; What You Told Me evokes the relief of feeling that weight lift, however briefly.

Through the process of makingThe Good Kind, Our Girl learned to trust themselves, persevere with the harder path and recognise it as the only one worth travelling. Deciding to chase after the sound they wanted ended up being the most empowering moment of their career thus far, and it paid off:The Good Kindis their most confident, moving and fully realised work yet.

Tracklist:

Side A

A1. Itll Be Fine
A2. What You Told Me
A3. Who Do You Love
A4. The Good Kind
A5. Something About Me Being A Woman

Side B

B1. Relief
B2. Unlike Anything
B3. Something Exciting
B4. I Dont Mind
B5. Sister
B6. Absences